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Selasa, 31 Maret 2009
Croatia Online - Highlights & Soft Landings?

Because Even Alexander McQueen Gets Sick of Fashion
“You know, it’s hard enough doing this job — I don’t have to live it as well. I’d rather sit at home watching ‘Coronation Street.’ ”
Alexander McQueen
Senin, 30 Maret 2009
Croatia Online - Natural Order
Kamis, 26 Maret 2009
Luxury Executives Preach Sustainability
NEW DELHI — Luxury goods and sustainable development are not mutually exclusive, according to luxury and retail titan François-Henri Pinault.
Speaking at an International Herald Tribune luxury conference here Wednesday, Pinault asserted that “more than ever, people want to return to genuine values such as timelessness, sincerity and exemplary standards.”
Pinault, who is chairman and chief executive officer of PPR, parent of Gucci Group, said in a keynote address that his version of sustainable luxury — the conference’s theme — encompasses ethics, collectivity and conservation. Conservation of the world’s natural resources is desirable, but also the continuation of knowledge and respect for craft and materials, he said.
Luxury is not superfluous, as it protects trades and skills, the sustainability of which is a necessity for human endeavor, he argued.
“The duty of luxury is not only to act, but also to mobilize,” he said. “I believe luxury is not just sustainable, but responsible.”
Pinault also took the occasion to trumpet PPR’s new foundation for women and the PPR-produced documentary “Home,” slated for worldwide release on the Internet, television and in theaters on June 5, World Environment Day.
How luxury brands can sustain their growth of the last 15 years is a hot topic at the two-day conference, hosted by IHT fashion editor Suzy Menkes.
Sustainability has become the most important ingredient of fashion now, said Nicolas Ghesquière, creative director of Balenciaga. He said he chose to make his new Los Angeles store eco-friendly and energy efficient, and it will serve as the model for all his future boutiques.
Dries Van Noten, who has been getting his clothes and accessories embellished in Indian ateliers for 20 years, said he has invested in improving the working conditions and income of his embroidery workers in Calcutta. Earlier, it was not possible to produce white garments, as the workshops were too dirty. Recently, the Belgian designer used white in his collection and had the clothes produced in India.
“Time is required to achieve deep luxury,” said Christian Blanckaert, executive vice president of Hermès International. He asserted that in times of economic recession, people prefer to spend money on quality, durability and timelessness rather than fast fashion.
-Mahlia S. Lone
Selasa, 24 Maret 2009
Senin, 23 Maret 2009
Croatia Online - Best Souvenirs of Croatia
Croatia Online - Šolta, Martinis Marchi

We couldn't complete the latest run of postings on Šolta without a little more information on an outstanding hotel and restaurant, Martinis Marchi.
The castle in which both are housed was built by the Martinis brothers in the early 18th century to help protect Split's mainland and islands from pirate attack and to develop a community to work the land. Since then it was allowed to decay, and suffered a modest earlier renovation to serve a short life as a 50 bedroom hotel and occasional restaurant.
Now it's been returned to its fomer glory after massive time and investment by its relatively new owners under the guidance of local Croatian heritage architects and advisors. The six hotel suites vary in size and are individually designed and furnished, both to be true to the castle's original design and to offer the ultimate in quiet elegance and comfort. The reception rooms are equally impressive, the courtyard houses a heated open air swimming pool and there's a heliport in the extensive grounds that display equal care and nurturing. As if that wasn't enough, the restaurant terrace has great views over the bay and west facing Maslinica makes for the perfect location for a quiet cocktail at sunset.
Internet, heated bathroom floors, air conditioning, etc, are all of course standard in the suites. Four poster beds are a feature and the largest suite occupies the whole tower on five floors – ground for the main reception room, first for the office and music room, second for the vast bathroom and a wall of cupboards in the hall, top for the master bedroom, and the stone walled basement for the konoba/kitchen area. This one costs €1,500 a night but you can stay in equal comfort, with varying space, for €420 to €750, in the other suites. The bathrooms and bedrooms are all enormous, and the common areas are of the grandeur and functionality you would expect.
The test of the restoration is that the Šolta islanders are proud of it as well and 2009/10 should see the upgrading of Maslinica’s harbour to a marina of similar style.
Sabtu, 21 Maret 2009
Croatia Online - The Secret and Adventurous Art of Blogging on Croatia
Croatia Online - Šolta In Pictures
Croatia Online - Šolta The Island Of Olives
Croatia Online - Šolta Island: Orientation
After six years exploring and writing about Croatia, even the most carefully chosen adjectives can start to sound clichéd, and sparingly used superlatives begin to feel well worn.
It's a relative luxury for us to spend three days on one of Dalmatia's islands, albeit with a working objective. Šolta, at just 19 kilometres long, and 4 metres across at its widest, may be one of Croatia's smaller inhabited islands but it has plenty to keep discerning visitors engaged, even outside the summer season.
Like most of Croatia's gems, Šolta has a fascinating and eclectic history, under a background of subservience to its masters in Split. It too has plenty to show from the seemingly never ending battles between the various great powers that have fought so hard for control over Croatia's precarious and strategic position between east and west.
Like many of its island and mainland neighbours, the oldest settlements and arguably the best of Šolta's heritage, is displayed in the inland towns of Grohote, Donje Selo, Gornje Selo and Sredne Selo. These grew up around the most fertile regions and, despite the never ending battle to clear the terrain of vast quantities of stone and rock, the small quantities of nutrient rich topsoil allowed agriculture to thrive. The olive tree has long been a hero of Šolta - it's one of the few species of flora that can thrive in the rocky terrain, mediterranean climate and on an island where there is nothing other than rain as a water supply - the porous limestone rock sees to that. You can read more about Šolta's liquid gold in our next posting.
Apart from the olive groves and abundance of rock, mostly neatly stacked in dry stone walls, inland Šolta will strike you with its old stone built houses, the smell of rosemary, a lush green vista of woods and bushes, settlements that appear tiny as you drive past them on the main road but hold a wealth of treasures in the narrow streets behind, and the magnificent views of the coast. The highest point, Vela Straža, at 237 metres, provides perhaps the best viewpoint of all.
For wow factor views, Maslinica is a strong contender. Facing west and looking out over a few small islets, the sunsets are hard to beat. Maslinica also has a very special man made asset - its Baroque castle now transformed into an elegant deluxe hotel, Martinis Marchi, after painstaking renovations that have brought it back to its original splendour and design. Here the latest technology required for modern and luxurious living, blends tastefully with an important part of Šolta's heritage, and here you can dine in style on the best of local and international cuisine.
There are no settlements on the south side of Šolta - the rugged and heavily indented coastline, doesn't make it an inviting place to live or prosper. However it hides some of the best and most deserted beaches, ideally reached by boat, but also through the olive groves, on tracks which aren't too hard on car tyres.
On the north side lies Rogač, the main ferry port, linking Šolta to Split four times a day in the winter, and with at least six services in the summer, more on demand. As Šolta is under-rated as an island, so Rogač is under stated as one of its coastal settlements.
Rogač is also the home of one of the islands leading local entrepreneurs, Ivo Bezić, who appears to have the only accommodation suited and open for all year round visitors, Villa Solta (English pages to follow). Ivo also owns one of only two restaurants we found on the island that was open last week, the other being Konoba Picerija Gajeta at the head of the bay in Maslenica. Ivo's hotel and restaurant are a short walk up the hill as you head out of Rogač. The reasonably priced modern accommodation includes large bathrooms, underfloor heating and internet access, and there's ample parking. It sleeps up to 24 in total, in a variety of rooms and apartments of various sizes, but when asked about larger groups, Ivo maintains that he can accomodate any number of people through friends in the village and elsewhere on the island. He's also planning to add another floor to the hotel accommodation when time and finances permit. The restaurant serves up the best of ingredients in traditional Dalmatian style and has a similar menu to the other part of Ivo's empire, Konoba Saskinja in Maslenica which is only open in the summer (for now!). Ivo has also just about completed the renovation and refit of his traditional boat which will accomodate 40 people and has an engine capable of getting to Brač and Hvar in good time, just as easily as pootling around Šolta on a fish picnic.
Elsewhere on the north coast there's Nečujam, once just a bay that was home to Emperor Diocletian's fish pool, with a couple of houses including the island retreat of Marko Marulic, the father of Croatian literature. Now it's rather overshadowed by an out of character resort development, Tourist Village Necujam Centar, complete with outdoor swimming pools and disco bar, though there is a lovely unspoilt bay next door which is a favourite for a swim on fish picnic tours from Trogir. There's also a small private hotel, Sv Petar, towards the end of the east side of bay. Nothing was open during last week's visit.
Stomorska also has its charms - the long narrow bay hosts a number of wooden cruise ships waiting for summer action, and is ringed by pizzerias and konobas about to be made ready for this year's tourists. Meanwhile Gornja Krušica and Donja Krušica, at opposite ends of the island's north coast, provide the base for a number of summer houses, some for let, around small bays and are, no doubt, just biding their time until the secrets of Šolta are truly discovered.
For visitors that need to be entertained, Šolta is probably not the island for you, though the short distances to Trogir, Split, Hvar, Brač, and even Vis, make it an ideal retreat for a day of rest from partying. For those that really do want to discover the Mediterranean as it once was, and take a break from the pace of 21st century living, it's hard to beat. If they enjoy style, comfort and luxury as well, Martinis Marchi is the ideal base. For those on a tighter budget, there's maybe not a wide choice but it's there.
Visitors by boat can read more about nautical matters on sister site
Croatia Cruising Companion
Today's photo is a rather giddy view showing the ubiquitous Šolta stones and rocks being put to good use yet again - this time they are marking the path to the island of Vis.
Kamis, 19 Maret 2009
Croatia Online - Šolta Island
Kelly Brook

Date of birth: 1979-11-23
Birthplace: Rochester, Kent, England, UK
Height: 5' 8''
Nationality: British
Profession: Actress, Model, TV presenter, Producer
Biography
After leaving school in Rochester, Brook studied at the Italia Conti stage school in London for three years before becoming a professional model.She is currently engaged to actor Billy Zane, having previously dated actor Jason Statham.
Model
Brook's modelling career began at 16 after winning a beauty competition, her early work was in a range of advertising campaigns, including for the new "Bravissimo" company that specializes in bras and lingerie for full-figured women, and for Foster's beer. Brook is 5 feet, 8 inches (172 cm) tall, and her voluptuous figure (Brook's bust measures 32E) caught the eye of the editorial team of the Daily Star who began featuring her as a page three girl.Brook's picture soon began appearing in other lad mags such as FHM (repeatedly landing in its list of the "100 Sexiest Women of the Year") and Loaded. She topped the 'FHM 100 Sexiest Women in the World 2005' list, which was said to have polled 15 million people. In a poll over 5000 women in April 2005 for Grazia magazine she was considered to have the best British female body. She ranked 5th at 'FHM 100 Sexiest Women in the World 2006' list.
Brook has also done a large amount of commercial swimwear, sportswear, and hosiery modeling, and a limited amount of nude & semi-nude modeling. Recent modelling work for Triumph Bras caused quite a stir because of specially commissioned 50-foot high billboards of Brook's bust.
Presenter
In 1997, still barely 18, Brook started getting work presenting youth television programmes on MTV, Granada and Trouble TV.Brook had a breakthrough into mainstream presenting in January 1999 when she was chosen to replace Denise van Outen as the female half of The Big Breakfast presenting team, alongside Johnny Vaughan. Brook remained for half a year and then parted company with the show in July 1999 after resigning.
Brook picked up roles presenting for MTV again.
Actress
Brook has appeared in minor roles in a string of movies including Sorted and Ripper. She played the girlfriend of Clark Kent/Superman's best friend Lex Luthor in four episodes of Warner Brothers' Smallville during the show's first season (2001 - 2002). She has also completed assignments as a movie actress in Canada and made a short appearance as Lyle's girlfriend in the 2003 movie The Italian Job. In 2004 she played character Nikki Morris in the video game Need for Speed Underground 2, alongside Brooke Burke. Brook first starring role was in School for Seduction, a 2004 film.In 2005 she appeared in the Philippe Vidal film House of 9, a thriller about nine seemingly unconnected strangers captured and locked in a house together. The people are forced to compete against one another, in order to survive.
She recently starred in a Miss Marple drama on ITV. She caused a minor controversy over her most recent film Survival Island (previously known as Three), in which she co-starred with fiancé Zane, when Brook and Zane requested her nude scenes be excised from the final cut, which the producers refused to do.
Theatre work
In December 2000, she played Anya, a lap dancer in the play Eye Contact at the Riverside Theatre in Hammersmith, London UK. This role gathered considerable tabloid publicity as the finale of the show involved Brook stripping naked.Minggu, 15 Maret 2009
Croatia Online - Omiš: Photogenic Croatia Explored
Croatia Online - Šibenik in Spring
Croatia Online - Krka Estuary, Zaton
Sabtu, 14 Maret 2009
Fashion master or mentor? An agonizing choice for young talents

After a dramatic menswear runway show a month ago, the 27-year-old British designer took his collection to video, offering an intuitive expression of his world. And on the first day of the Paris autumn/winter 2009 season, he chose a different, off-the-runway approach.
"I wanted to express what we wanted to do with the collection," Pugh says. "Even if it did look more like a long perfume ad!"
When - and surely it is not "if" - this hyper-talented designer builds his brand, he will produce fragrance, handbags, makeup or even home furnishings. But for that he will need big money. And like all start-up designers in their 20s, he is faced with an agonizing choice: master or mentor?
Since he graduated from Central Saint Martin's fashion school in London in 2003, Pugh has been taken under the wing of the designer Rick Owens and his partner, Michele Lamy. Although Pugh's first collections were more show biz than business - making it as costumes for Kylie Minogue's tour - his extreme club clothes, with their inflated shapes and checkerboard patterns, have been turned into a buck.
"We sell the clothes - we really do," Julie Gilhart, design director of Barneys New York, said after congratulating the designer and making a showroom appointment to see the clothes.
But it is no secret that Bernard Arnault, chief executive of LVMH Moët Hennessy Louis Vuitton, sponsored Pugh's menswear show in Paris in January and that his people have their eyes on this designer. Asking for anonymity, a person familiar with the situation said that, after Karl Lagerfeld advised Arnault to scoop up Pugh as a major creative talent, the LVMH team approached Pugh and Lamy.
"LVMH is a very big company with lots of people, and they saw something in me that they wanted to bring out," Pugh says, adding that he is extremely happy with the Rick Owens collaboration and wants to "tread water" in these difficult times, having the confidence in himself "that I am going to get to a certain level." Asked if he would ever join the corporate club, Pugh replied: "If someone came along and it was right - never say never."
It has been 25 years since Lagerfeld joined Chanel, setting in motion the idea that, to reinvent themselves, famous old houses had to tap fresh designers. Since then, high fashion has swallowed dozens of burgeoning talents - most famously John Galliano, firstly at Givenchy and ultimately at Dior. But also Alexander McQueen, also first at Givenchy (owned by LVMH) and then at the corporate rival PPR, where the designer has his own line.
Any fashionista could chant a litany of these two-prong careers, those who are working for a big house and also for themselves, kicking off with the famous collaboration between Louis Vuitton and Marc Jacobs and embracing the more recent fashion hookups, as when Riccardo Tisci gave up his own Italian label to design for Givenchy.
Now that the economic climate is rougher than ever for fledgling fashion companies, it is a brave designer who would turn down the corporate blandishments.Kris Van Asscheis a case in point. On Wednesday, the Belgian-born designer sent out a poetic collection of masculine/feminine clothes, illuminated with metallic torques and bangles. Mannish tailoring, like wrap coats or a four-pocket jacket, layered over soft gaucho pants (slightly too many of them) made for a good and wearable collection.
This latest play on the man/woman theme expressed - not least in the program notes that quoted the French poetBaudelaire's "Les Fleurs du mal" - an elegiac romance. And it could not be more different from Van Assche's other day job at Dior Homme, which gives him the finances to keep alive his own men's and women's lines.
Delphine Arnault, daughter of the founder and an executive at LVMH, was sitting front row. "I've always liked young designers - I find it super interesting, and, anyway, Kris works for us," Arnault said.
As the first generation of the "two-prong" designers reaches maturity, it is easy to see what has happened. Although Jacobs has recently (after an open clash with LVMH) grown his own brand, it is still light years short of the Louis Vuitton sales numbers. The Galliano brand is puny compared with Dior, and the collapse of Ittierre, Galliano's Italian manufacturer, will put thebrakes on any hope of rapid expansion.
The story continues at The International Tribune Online
Croatia Online - Šibenik For Fine Dining?
Croatia Online - Spring Is In The Air
Jumat, 13 Maret 2009
The Year of the Newcomer
Cost-conscious buyers are taking a new look at more moderately priced new brands and are keen to be the first to find the next Alexander Wang. Take for example the great turn-out for an indie fashion show in New York's artsy Long Island City neighborhoodowd that during New York Fashion Week. The same has been true for the increased interest in fashion school graduate show's, such as the Bunka Fashion College in Tokyo. Let's hope some fresh talent will be enough to revive the industry's dampened spirit-
Subdivision Fashion Week NYC 2009 from stephen on Vimeo.
"Starting now is difficult ... there is less demand now because of the economic circumstances, but the fashion industry is always looking for new ideas, new talent, fresh things ... It's important to stand out." Alessia De Pasquale, designer
"It's going to be a lot more about relying on personality and experience, instead of cash." Andrew Buckler, designer
Bunka Fashion College Graduate Fashion Show 2009
Kamis, 12 Maret 2009
Rabu, 11 Maret 2009
Staying Gorgeous in Ugly Times

“I think a new ‘make do and mend’ subculture will evolve, where we’ll be hunting for bargains, mixing vintage with new clothing — and recycling. These times will bring out experimentation and the eccentric in all of us.” Julien Macdonald
Well it might be time to get creative if you would like to maintain your fashionista lifestyle on a recessionista budget, but luckily, three great sites, Swap Style, Dress Vault and The Closet Bureau, allow anyone to look fabulous without spending very much, and in some cases you might end up with a little bit of coin in your changepurse.
Dress Vault

A fashion network for dress borrowing, that also doubles as a social network, connecting style soulmates. Dress Vault allows members to lend, borrow and buy/sell dresses.
How It Works:
Both lenders and borrowers create profiles in order to participate. If you are looking for a dress, simply browse the photographs and contact the owner if you're interested. The only downside is that you'll only have the dress for one week (including shipping back and forth). The good news is that lenders are protected against damages and late shipments.
Why It's Great:
Because you'll never be photographed twice in the same dress
Swapstyle

The Basics:
Big on style, but short on cash? Swapstyle allows you to use your unwanted clothing, accessories, cosmetics and shoes as currency to buy what you really want.
How It Works:
To get started swapping, create a free profile with photos of all the items that you would like to swap. You can also make a wish list of the things you would like to have. Shop other members profiles and contact them if you're interested in swapping. Likewise, other members will contact you if they would like to swap for one of your items.
Be sure to check the "Swaplifter" list to avoid dealing with less than savory swappers.
Why It's Great:
Because you don't have to spend a dime to get your shopping fix
The Closet Bureau

If you've discovered that your love of designer clothing is taking up too much space and money, The Closet Bureau is ready to hep you clean out your closet and replenish your shopping fund.
How It Works:
Arrange for The Closet Bureau to pick-up your old designers duds, and they will take a care of the rest. You'll receive a payment for the proceeds once your items are sold.
Why It's Great:
Because it's all the benefits of selling on Ebay without any of the hassle
Senin, 09 Maret 2009
On the runway: The Man/Woman Meld

PARIS: The emotion of womanhood married to a casual masculine confidence - that is the message from an exceptionally powerful Paris season.
It has been spelled out in specifics over fashion's long weekend of shows. Liquid drapes for womanly shapes have taken over from girly dressing - most often shown with tailoring as the distaff side.
Beauty is the goal, for this autumn 2009 season has drawn a definitive line under the "ugly" aesthetic. You could say that fashion has reached a certain maturity, but that sounds stodgy - the clothes are not heavy, even if solid fabrics have often taken over from the ethereal.
The overall impression is that, in a time of world economic crisis, designers have emphatically staked out their own territory, giving each woman, in the free spirit of liberty and equality, the right to choose.
Feminism is not really a fashion issue, but at Comme des Garçons, Rei Kawakubo makes it so. Her collection trembled with emotion, as her models, flesh-colored veils marked with a kiss of sparkly, scarlet sequins, worn over shocking pink sausage-curl hairdos, created a whimsical wardrobe. It was based on solid coats, often in khaki with images of windows sketched as pockets. The childlike drawings complemented shoes with toes drawn on the outside.
"Wonderland," Kawakubo said backstage after an ovation greeted this mystical meld of sturdy checked blankets folded into the tailoring, khaki, denim and knitwear - all embraced by a collection that ended where globules of pearls lay under an ethereal coating of tulle layers. The designer also called it her "secret garden," and it was a wondrous display of clothes embellished not with mundane accessories, but with the unfathomable dreams of a great designer.
Yohji Yamamoto's vision was more immediately accessible: outerwear, streamlined but with subtle challenges to the design status quo. One side of a long coat displaying the shorter hem of a peacoat or a graceful jacket and long skirt with twin zippers slicing the back.
The show's focus was red shoes - soft as slippers and bright as the lipstick that was a slash of color between head and feet. The color came later as patches of scarlet, as if the material had been dip-dyed.
Yamamoto's new collaboration with Ferragamo, melding two companies that both have iconic status in Japan, brought out the best in Yamamoto, whose clothes have always been dedicated to a serene beauty. That was expressed this season through a quiet exploration of intriguing fabrics, some slightly transparent, others with a raw edge and with little, but strong, color bleeding into black.
Yohji Yamamoto A/W 2009
Backstage, Yamamoto described the Ferragamo collaboration as an inspiration, with the shoemaker's technique that created soft boots without a seam. The designer's description of "so much quality - something to last" defined the shoes, his own approach to fashion and the spirit of current times.
"Feathers," said Junya Watanabe backstage to describe the inspiration of a collection of such beauty and grace that it had cynical photographers roaring "bravo." The proposal was the down coat - not so new in itself. But with "Tosca" soaring on the soundtrack and the elegant, shapely long coats and dresses, the show was in striking contrast to Watanabe in his more aggressive, rock 'n' roll mood.
It was perhaps a show on one note. But the designer turned that into an aria, as his noble women, with upswept hair, paced slowly, unfurling a short jacket into an ankle-length coat. The central idea of lightness - even when metallic chains were inserted in the puffy down - was underscored by pleated skirts and draped dresses. And if there was a hint of the Yohji Yamamoto look in the long coats, this was not a fashion echo chamber, but something Watanabe evolved in his own spirit.
The Maison Martin Margiela is certainly in need of help, after its founder has gone on "extended leave," as corporatespeak has it. The mix of intellect and instinct that made the Belgian designer's collections a fashion pacemaker have now become a parody - or even a travesty - of Margiela's vision. Based on a flesh-colored bodysuit and shown in a stadium filled with floating balloons of light, some acceptable, pieces, like trench coats with cutouts, were interspersed with dresses that turned to show a back naked except for a visible bra. Of Margiela's rigorous exploration of a personal vision, there is no sign and Renzo Rosso, chief executive of the "Only the Brave" company that owns his Diesel empire, needs to do something fast.
Minggu, 08 Maret 2009
Sensual Sobriety at Lanvin
Marching purposefully down the wet road of a runway, the women - mostly black clad but one in a scarlet suit - waved at the Lanvin audience.
It was a defining moment in the autumn 2009 season, when bias-cut tailoring, fur stoles circling the shoulders and boldly studded dresses with just a soupçon of the 1980s spelt out the new fashion message: sensual sobriety.
The clothes that the designer Alber Elbaz sent out were an ode to women - not that romantic, ethereal creature of male dreams but a modern woman who can take a curve-heel shoe in her long stride; one who needs a suit, with jacket belted above a slim skirt; and whose idea of exposure is a soft cowl swooping below a bared upper back.
Lanvin has become a byword for modern glamour that responds to the female body, rather than controlling, or even torturing it.
Elbaz was on top form, with his nonchalant way of cutting a plain coat so that it covers but never smothers; or using stretch fabrics, on the bias, with never a hint of vulgarity. He seems to get inside the skin of a 21st century femininity, which is about a flurry of feathers crowning a scooped-back pony tail and the way a bodice is tamed into a big flat bow.
Two factors stood out: First, the technical skill that, as with traditional couture, made complex cuts seem oh-so-simple that the actress Kristin Scott Thomas sighed over a silver gray satin dress and imagined herself inside the scarlet suit.
The program even baptized the outfits with names from Arlette to Violette. You almost expected to hear them called out over the soundtrack.
The choice of fabrics also was exceptional, with the introduction of burnt-out dévorée velvet to give substance to surface, while the dresses remained so light.
Above all, this was a wardrobe of clothes from a designer who understands a woman in her different moods - gentle, aggressive, power worker, mother, lover - and makes fashion to embrace all of that.
Berlin Welcomes Eastern European Style

BERLIN: White and red fluorescent tubes dangled from the ceiling, and art depicting male genitalia rested against the wall. Strange videos flashed across spray-painted computer monitors, and weird gold fabric caught the eye amid the racks of one-off fashions, mainly black, by young designers you have never heard of.
Gundega Lasmane-Gecs, the boutique's owner, stood in the middle of it all, surveying her domain. "Sometimes I wake up in the morning, and I wonder what the hell I'm doing here," she said in her perfect but accented English. "But then I think, well, it just feels right."
Four months ago Lasmane-Gecs and her husband, Agris Gecs, opened a trendy little boutique called Talka in the fast-becoming-fashionable Friedrichshain district of Berlin. Such places are far from unusual in wildly inventive, uber-creative Berlin.
What is different about Talka's owners and its stock is where they come from: Latvia.
The Gecs and the designers they work with are part of a small but growing movement of fashion designers from Eastern Europe coming to the West.
And, for many, the first logical stop is Berlin.
"Milan does not have an avant-garde scene, Paris is very expensive, and New York and London are so much further away," explains Ulrike Möslinger, who directs marketing for the French department store Galleries Lafayette in Berlin and is on the board of Create Berlin, an advocacy group for local design. "Düsseldorf has more industry, but the infrastructure for young designers is better here in Berlin. The rents are not expensive, and it's very easy to open a store."
Retail rents in central Berlin are around €2,600 per square meter a year, or $310 a square foot, while similar space in Paris could be as much as €8,000 per square meter - and it is likely that startup stores or young designers would seek even less expensive property, further out from the center into what was formerly East Berlin.
"Berlin sees itself as the middle-European capital, a bridge between East and West and, although I don't know if all Eastern European designers see it that way yet, I think it has that potential for them," said Silvia Kadolsky, director and owner of the Berlin branch of Esmod, the private international fashion school founded in Paris in 1841.
At least one Eastern European designer agrees. "I think there are more possibilities for me here," says Agné Kuzmickaité, a young Lithuanian with three collections to her name, who won a year's accommodation and use of an atelier here in a competition last year. "I think in France it would be very hard for someone like me. To me it feels like Paris is yesterday - and Berlin has the potential to be tomorrow."
And while the streets of Berlin are not lined with stores stocking the latest from Lithuania or the Russian Federation quite yet, there is plenty of evidence of the trend.
Labels like Penelope's Sphere, whose designer, Tamari Nikoleishvili, is from Georgia, and Mareunrols, created by Marite Mastina and Rolands Peterkops of Latvia, hang next to the work of designers from Germany, Sweden, Japan and England on racks around the city. And new boutiques like Talka, Access and Redspective specialize in Eastern European design.
"For me, starting a store here was a really easy decision," says Cynthia Carson, co-owner of Redspective - where alongside fanzines from the Czech Republic and music compilations from St. Petersburg nightclubs, they stock what they describe as "urban clothing" designed in collaboration with street, graffiti and other artists from Eastern Europe. "There is no other city in Europe that draws such a line between East and West."
But, as with any fashion label in any big city, it's not all easy going in Berlin.
"It's a good place to live and work, in fact, it's a great place. But not such a good place to sell," says Nikoleishvili of Penelope's Sphere, who worked for Vivienne Westwood and Marjan Pejoski in London before coming to Berlin.
"I have people who love my stuff, but the most expensive things are always bought by tourists," Nikoleishvili says. Her top-end designs sell for several hundred euros, an extravagance for many in a city with slow economic growth and high unemployment.
Mastina and Peterkops, who design Mareunrols, understand the problem. "On one hand Berlin is possibly the best city in Europe for young fashion labels to be based as it has a thriving arts scene and relatively cheap rent," they said in an e-mail interview. "On the other hand Berlin poses many challenges to a label like ours, which is catering for the top end of the market."
Croatia Online - Secret Dalmatia
Jumat, 06 Maret 2009
Croatia Online - Unparalleled Diversity In Croatia
Olivier Theyskens Goes Out With a Bang
Is Olivier Theyskens about to leave Nina Ricci? Fashion’s worst-kept secret was for all to see as the Belgian designer glumly waved farewell after his ready-to-wear show tonight.
Backstage the press people kept mum over the months-long swirling rumors that Mr. Theyskens is poised to leave the fashion house. The company has declined to comment for months.
Yet when the designer was asked whether this was an emotional evening for him, the long-haired designer stared at the ground, simply replying, “Yes it is.”
The show wasn’t exactly a cheery affair either. Hard piercing music played as models with scraped back hair trundled down the runway wearing huge platform shoes. Big shoulder pads abounded as did black trouser suits with loose pants. Equally popular were double-breasted coats with high collars.
The occasional splash of color was provided with the odd gold flowing dress and purple evening gown. But on the whole the collection stuck closely to Mr. Theyskens’ nighttime theme. “It’s about that nocturnal feeling,” said Mr Theyskens. “It’s not about going out to party…It’s more about nocturnal moonlight” he added.
Actress Milla Jovovich was somewhat more straightforward. “Those girls were like something from a space age dream world,” she said. “It’s like what I would wear on stage.”
This was a far cry from the romance and classicism that made Nina Ricci a hit in the past. Gone was the glamorous show in Paris’s Tuileries Gardens. Instead, the fashion crowd was welcomed into a dark warehouse in the 13th Arrondissement.
Since Mr. Theyskens arrived at Nina Ricci in 2006, he has been hailed as a genius by critics. But perhaps in these tough economic times, genius isn’t enough.
— Max Colchester Heard on the Runway, Wall Street Journal blog
Kamis, 05 Maret 2009
"High Tech is Over" Balencianga A/W 2009

He said he wanted to keep the collection very French; hence his change of venue from an in-house showroom all slick and tricked out with edgy lighting to a series of salons at one of Paris’ most storied hotels, the Crillon, with its glorious views of the Place de la Concorde. The setting, it turned out, was only part of the ultrachic Frenchness of a show with shades of both Yves Saint Laurent and Emanuel Ungaro. Ghesquière took what became the bourgeois standards of both — Saint Laurent’s impeccable tailoring and color play; Ungaro’s draping — pushing, manipulating and, in the case of the latter, exaggerating it big-time. And despite his protestations to the contrary, he infused the results with an element of the futuristic audacity that has become his hallmark. It made for a collection both powerful and plenty savvy, as the newly relaxed constructions should have broader commercial appeal. (Which is not to say they’re for chubbettes.)
Photo by Giovanni Giannoni

- WWD staff